Репозитарій Національної академії керівних кадрів культури і мистецтв України
Миргородська школа мистецької кераміки в художній культурі України кінця XIX – першої третини XX століття
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Миргородська школа мистецької кераміки в художній культурі України кінця XIX – першої третини XX століття
Шолуха, Олександр Миколайович
Дата:
2020
Короткий опис(реферат):
Дослідження присвячене вивченню художнього спадку Миргородської
школи мистецької кераміки кінця XIX – першої третини XX століття. У дисертації охарактеризовано типологію форм, розпис, орнаментальні мотиви, здійснено аналіз формально-стилістичних прийомів, властивих творам досліджуваного осередку.
Виявлено роль МНКІ як навчально-виробничого центру вітчизняної кераміки, де вивчався та впроваджувався у навчальний процес світовий досвід у
сфері керамічного виробництва з орієнтацією на поліморфічність інноваційних
практик і відображення їх у творах закладу.
Матеріали дослідження покликані сприяти атрибуції та мистецтвознавчій
експертизі керамічних творів Миргородської мистецької школи.
Суть розробки, основні результати:
The research is devoted to the study of art works of the Myrhorod school of
ceramic art of the late XIX – the first third of the XX century. The dissertation
describes the typology of forms, painting, ornament motifs. It provides the analysis of
formal stylistic techniques inherent in the works of the studied zone. The
classification of fine art ceramic technologies used in the specified zone is made.
The work uses cultural and art studies approaches to regard the artistic and
ceramic works of the Myrhorod school of ceramic art of the late XIX – the first third
of the XX century in the context of trends of shaping and decoration of objects made
in scope of national artistic culture.
In the course of studying the historiographical sources, the stages of formation
of the Myrhorod educational and ceramic institution were traced. In the initial stages,
they were connected with the activities of zemstvo authorities aimed at developing
the industrial potential of the region. Subsequently, an important element in this
process was the appeal to regional cultural identity as an element of marketing
strategy. Similar tendencies were in line with the national and cultural revival and its
manifestations in Art Nouveau culture. The Myrhorod art and ceramic institution was
one of the centers where the national branch of this style was being formed.
The paper reveals the role of Myrhorod educational and ceramic institution as a
training and production center of national ceramics, where Ukrainian art style was
established, and the world experience in the field of ceramic production was studied
and introduced into the educational process with an orientation to polymorphism of
innovative practices and their realization in the works of the institution.
The decisive role of ceramic artists and pedagogues in the formation of
Myrhorod educational and ceramic institution as an experimental laboratory was
established. There, a new Ukrainian aesthetics of fine ceramics was synthesized, and
advanced world experience in this field was learned. At the same time, the work of
prominent figures of national culture influenced the formation of the local artistic
identity of the school within the national artistic traditions.
The stages of development of Myrhorod school of ceramic art in scope of
artistic culture of the end of XIX – the first third of XX century are characterized. It
was found out that, initially, in the context of competition between different concepts
of the institution development, there was a bias towards the dominance of the
manufactural component. The next stage was manifested in the processes of
theoretical substantiation of Ukrainian style in architecture and art, on the basis of
local originality. At the same time, the period of development in the conditions of revival of the Ukrainian statehood with introduction of innovations by the group of
Ukrainian teachers was decisive. The final stage (in terms of the periodization of the
study) was the time of activity of the institution in the conditions of formation of the
Soviet society with signs of ideologization and orientation to industrialization.
As a result of the analysis of the source base from the works of the Myrhorod
educational and ceramic institution of the studied period, the following typological
groups of the objects were distinguished: vases, vessels, accessories, souvenirs,
sculpture, small architectural forms, architectural and decorative ceramics. In terms
of formal and stylistic features, works of the Art Nouveau, Art Deco, Boichuk art
school and propaganda objects with manifestations of avant-gardism were identified.
The materials of the research contribute to the practice of attribution and artexamination of the ceramic artworks of the Myrhorod Art School and will be useful
in museums, art collecting and restoration activities.
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