Показати скорочений опис матеріалу
dc.contributor.author | Kvetsko, Оlga | |
dc.contributor.author | Havelia, Oksana | |
dc.date.accessioned | 2021-04-14T13:41:07Z | |
dc.date.available | 2021-04-14T13:41:07Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Kvetsko О., Havelia O. Folklore as primary of forming the boiko’s dance / Оlga Kvetsko, Oksana Havelia // European Journal of Arts : Scientific journal. - Praha, 2020. - № 1. - P. 162-165 | uk_UA |
dc.identifier.uri | http://elib.nakkkim.edu.ua/handle/123456789/2744 | |
dc.description.abstract | The origins of folk of boiko’s dance are substantiated. Historical and ethnographic factors that influenced the formation of the choreographic culture of the Prykarpattya fighters were revealed. It is substantiated art problem, which on the generalization of experience, enrichment of the Ukrainian choreographic culture with the achievements of national boiko’s dance in the Carpathian region of the late XX – beginning of the XXI in scientific works is not covered. The methodology of research of the boiko’s dance has been determined. The trends of folklore boiko’s dance development have been determined. The importance of customs and rituals for the development of boiko’s dance has been proved. The main tendencies of the development of the boiko’s dance as an integral part of the study of Ukrainian dance as a whole and the peculiarities of the formation of the choreographic traditions of the fights are determined. | uk_UA |
dc.language.iso | en | uk_UA |
dc.subject | folklore | uk_UA |
dc.subject | boiko’s dance | uk_UA |
dc.title | FOLKLORE AS THE PRIMARY OF FORMING THE BOIKO’S DANCE | uk_UA |
dc.type | Article | uk_UA |