Historical and theological foundations of instrumental and vocal music in contemporary evangelical worship

Abstract

This study aimed to define the historical and theological foundations of instrumental and vocal music in contemporary evangelical worship, as well as their role in shaping the spiritual experience of believers. The methodological framework integrated cultural, theological, sociocultural, and musicological approaches, facilitating an examination of the processes of sacred music preservation and adaptation, alongside the influence of secular music styles on the structure of evangelical worship. The paper analysed the impact of Old Testament and synagogue musical traditions on modern evangelical worship, with a particular focus on the incorporation of instrumental and improvisational elements. Worship was explored as an essential means of creating a spiritual context that shapes both individual and collective identity within the community. This research demonstrated that worship in evangelical churches operates not only as a liturgical tradition, but also as a dynamic mechanism for shaping new spiritual and cultural paradigms that address contemporary societal needs. The findings highlighted that musical worship in evangelical churches serves as a medium of instrumental communication, forming a foundation for spiritual experience, while maintaining continuity with ancient worship traditions. The study also underscored the historical roots of this practice within the Judeo-Christian tradition, emphasising the significance of music as an integrative mechanism offering new opportunities for religious and social interaction in the modern world. The practical relevance of the research lies in providing a conceptual framework for modernising evangelical worship practices through the synthesis of theological heritage and contemporary musical expressions, thereby fostering deeper spiritual engagement and cultural relevance