Репозитарій Національної академії керівних кадрів культури і мистецтв України

ЮВЕЛІРНА СПРАВА Й МАРШАКА В ХУДОЖНІЙ КУЛЬТУРІ КІНЦЯ ХІХ - ПОЧАТКУ ХХ СТОЛІТТЯ

ЮВЕЛІРНА СПРАВА Й МАРШАКА В ХУДОЖНІЙ КУЛЬТУРІ КІНЦЯ ХІХ - ПОЧАТКУ ХХ СТОЛІТТЯ

САПФІРОВА, НАТАЛІЯ НОРІКО МИКОЛАЇВНА
URI: http://elib.nakkkim.edu.ua/handle/123456789/3586
Дата: 2021

Короткий опис(реферат):

Дисертація присвячена аналізу та виявленню художніх особливостей асортименту продукції Фабрики художньо-ювелірних виробів Й. Маршака на тлі розвитку ювелірної справи Києва й інших ювелірних центрів кінця ХІХ - початку ХХ ст. Мистецькі здобутки фірми Й. Маршака мали істотне культуротворче значення для розвитку культури і мистецтва Києва кінця ХІХ - початку ХХ століть, у тому числі в розрізі історичного контексту епохи. Осмислення спадщини ювелірної справи Й. Маршака розкриває його виняткову роль для формування сучасного вітчизняного культурного простору.

Суть розробки, основні результати:

This dissertation is devoted to the analysis and revealing of artistic features of products assortment against the background of jewelry business development of Kiev and other jewelry centers during the end of the XIX - the beginning of the XX century. The significance of the property of J. Marshak's jewelry company for the artistic culture of Ukraine in outlined period, its role in the history of regional decorative-applied and industrial art is considered. In the available dissertation for the first time, jewelry of the specified firm are processed with application of a complex of special scientific art criticism methods. For example, there were analyzed works of J. Marshak and other well-known Kyiv jewelry companies from modern museum and private collections, the antique market and the Internet space revealed the established art forms and content of Kyiv manufacturers and, accordingly, its stylistic and figurative features. The J. Marshak’s Factory register of identification marks is one of important primary sources for analysis and art expertise, this register contains factory forms with a logo, inventory numbers, stamps of this enterprise, personal marks of masters and commemorative inscriptions on products, hallmarks. Generally, it should be noted that Kyiv cultural environment in the last quarter of the XIX - early XX century was formed taking into account the coexistence in a single society of different ethnic groups. Geographical location of the city at the in-tersection of significant trade and economic routes had a great influence on the for-mation of the local culture of the epoch, access to world technical progress achieve-ments through exhibition activities and professional contacts with the leading art centers of Western Europe and the Russian Empire, as well as the development of architecture and arts with the mastery of new technologies in an era of their rapid development. Generally, we should note that in creative heritage of J. Marshak's Company is no contradiction of styles - academism and modernism coexisted in a single creative field, without quality compromising of highly artistic performance level. As an entrepreneur who was at jewelry fashion forefront in Kyiv during the late nineteenth and early twentieth centuries, J. Marshak preferred the formation of products in classical styles and modern solutions. At the same time, he took into account the possibility of using jewelry production materials – precious metals, precious, semi-precious and jewelry stones, bone, enamel, precious wood. At the J. Marshak Factory paid tribute to jewelry fashion trends, its development, in modern era compared to the more stable requirements of previous styles in period of late historicism, quite freely operated with stones and metal. Summing up the above, we can state that artistic achievements of J. Marshak's company were of significant cultural significance for development of culture and art of Kyiv in the last quarter of XIX - early XX centuries, including in historical context of the modern era. Understanding jewelry heritage of J. Marshak's company reveals its exceptional role for the formation of modern domestic cultural space.

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