фахова стаття
This article presents a semiological study of organology and stylistic compositional and structural features of
chamber music works, with the aim to highlight the genre-typological and semiotic-intonation innovations in Ukrainian
composer practice of the late XX – early XXI century. The quantitative and qualitative indicators of ensemble genre in
various instrumental models, also the semiotic and expressive principles of postmodern stylistics have been analyzed. In
the paper was highlighted the semiotic value of phenomen