Интермедиальность как авторская стратегия организации художественно-эстетической целостности украинских камерно- инструментальных композиций (конец ХХ – начало ХХІ веков)

Abstract

In the article are indicated the philosophical and aesthetic positions of composer’s musical thinking in the context of intermedial poetics of creative consciousness; analyzed the variety of interpretative schemes in chamber compositions based on intermediality; proved the impact of intermedial thinking strategy on the development of modern Ukrainian musical art.