• The concept and essence of contemporary art 

  Diachenko, Alla (2024)

  The study aimed to substantiate the concept of art as a general term referring to various forms of contemporary art, which were positioned in contrast to classical art, to which the term “art” was applied. The methodology ...
• Historical and theological foundations of instrumental and vocal music in contemporary evangelical worship 

  Bulakh, Tetiana (2024)

  This study aimed to define the historical and theological foundations of instrumental and vocal music in contemporary evangelical worship, as well as their role in shaping the spiritual experience of believers. The ...
• The role of contemporary performers in the evolutionary development of electric guitar techniques and playing methods 

  Poltoratskiy, Maksym (2024)

  This article explored some of the most modern performance techniques on the electric guitar and examined their application by renowned musicians, including Tosin Abasi, Tim Henson, and Marcin Petrzałek. Tosin Abasi was ...
• Composer’s “predictions”, embodied in figurative and symbolic content of “Lyrical scenes” by Ivan Karabyts 

  Kisiuk, Nazarii (2024)

  The study highlighted the chamber-instrumental work of Ivan Karabyts, namely a piece for violin and piano “Lyrical scenes” in the context of the musical and social life of modern times. The analysed sample of the violin ...
• Wilhelm Kotarbinski’s sketches for the murals of St. Volodymyr’s Cathedral: A multi-analytical approach to the artist’s painting materials study 

  Andrianova, Olena; Biskulova, Svitlana (2024)

  Wilhelm Kotarbinski (1848-1921) is an outstanding modernist Ukrainian artist of the late 19th and early 20th centuries who became widely known after painting murals in St. Volodymyr’s Cathedral in Kyiv. Kotarbinski’s ...

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